Required fields are marked *. I've tried emailing him but, the email bounces back as 'undeliverable'. With support of the serial number decoder (guitar dater), tables and clues, the production year and location of the biggest known brands can be traced. The more economical Student Grade instruments were often ladder braced. This guitar is in excellent condition. Kyle Lowry Family, The Jumbo 55 (J-55) was introduce in late 1939 and discontinued in 1942. 1838 Martin & Bruno Terz Guitar, Serial Number 1231. Still no idea what it might be worthwhich I would like to know. I think theyre have a good value, but I really dont know, I really be grateful if any of you gave me some information of this instruments, age, manufacturer, etc. Since you are in Mexico, I wanted to ask if you have ever seen an acoustic guitar marked "Florida" in your country. It is missing one cover plate on the back, easily replaced. 593 Similar to 590 but with pearl (vs ivoroid) tuner buttons. Having installed hundreds of calfskin heads, this head has a very different pore structure so I feel this is most likely sheepskin as was often used in the 19th century. The numbers are preceded by letters: A, B, C, or D which indicate the series. Holler if you do find an online guide. Bruno sold instruments by Martin and many other guitar builders both U.S. and foreign many of which carried the Bruno brand. Copyright 1999 - 2020 , All Rights Reserved. The first 6 digits are in pairs and the last two digits are standalone, giving us 49 00 21 5 3: 49 = model code (Musicmaster, Mustang, Bronco) Ironically, the script logo on the headstock was old-style. The tuners cogs are peened on the shafts (the peening sometihas a waffle design). This C. Bruno and Son banjo arrived here about 15 years ago and has been in storage ever since. For the year 1994, ONLY the model prefix and last serial number for each model produced is available. Other singing cowboys who later owned Super Jumbos include Roy Rogers and Gene Autry. This guitar is a circa 1891 C. Bruno & Son (New York) Style 1884 Parlour Guitar with original hard shell case that sold for $24 new ($27.75 w/case). It took Gibson 2 years to develop their response: The Jumbo of 1934. The guitar have the serial number 6842, and the mandolin have the number 8. The body has been oversprayed but the very nice deep-V neck hasn't been. the 1st guitar that month, the 22 nd, the 1,000 th etc.. Two years later he moved to New York and opened a book shop which evolved into a successful seller and trader of stringed instruments. When a guitar has a model name next to it, it is most likely placed elsewhere on the body. The first versions of the Super Jumbo guitar had a neck joint with 12 frets clear of the body placing the moustache bridge geometrically in the center of the distinctly round 16 7/8 lower bout. After just a couple of years Bruno left and started his own distribution companies, and although he himself did not build guitars he would have other manufacturers do so and would sell them under his name. Cort Serial Numbers - Cort serial numbers are denoted with a C prefix followed by either 7 or 8 digits. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. The top and back bindings were black plastic. The label says under the Ventura name: Bruno, Model V-1585. The first Gibson J45 guitars were only slightly different from the discontinued J-35. This is a Ventura 12 String acoustic guitar. The Mark Series guitars had 16 3/16 lower bouts with very narrow waists, and a headstock like no other in Gibson tradition. Small Smiling Macropod, I have acquired a nice little concert size guitar with what I believe to be BRW back and sides and a spruce top. The selected tuners varied randomly by model and year. Rich in 1974, a system of serial number coding began using a 5-digit code (XXYYY) with the first 2 digits indicating the year and the last 3 indicating the production number. The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Body Type: Classical. The tradition had been Bug style mandolins: bowl-backs with flat or bent tops. These can exist on any model numbers including the A-jr. Ventura Acoustic Guitar Price Serial Number Year-Code Prefix. Please judge the condition for yourself. Yeah, that's a Dallas Schecter. Sekai Ichi Hatsukoi Episode 24, When it arrived it looked like the guitar had exploded from the inside. A total of 2,477 J-35s were made according to Gibson records. Note: Your post will require moderator approval before it will be visible. It has some of the most beautiful Brazilian rosewood I've ever seen.Charles Bruno & Son was one of the largest guitar wholesalers of the later nineteenth and early twentieth centuries. C. Bruno Parlor Guitar circa 1900. When Bruno & Martin dissolved their partnership in 1839, Bruno left New York for several years. A flourish inlay under The Gibson in the headstock. 45 Acp Reloading Data, 1956-1965. For example: J7012 This would be a guitar built in March of 1987 and it was the 12thUnit made that day in the Japan custom shop. It took Gibson 2 years to develop their response: The Jumbo of 1934. The electric version included a P-90 pickup at the end of the soundboard like the later versions of the J-160E. Mid 1921 through late 1930s: larger base with 2 feet, 3/8 adjustment wheels and wooden compensated bridge top. Heater. Bruno sold instruments by Martin and many other guitar builders both U.S. and foreign many of which carried the Bruno brand. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. The fingerboard of the L-5S is in with select abalone. Wondering if anyone has info on Ventura Serial # 51464 V-8 wondering how old it is and value. Script Gibson logo, Fretboard: Twin parallelograms inlays unbound 19 fret. In 1947 a natural finish J-45 was finally offered and given the designation: J-50. Good luck with that! Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55. Fernandes created faithful recreations of Fender instruments; and Takamine and Suzuki both made acoustic guitars nearly identical to certain Martin models. It was a refinement of the slope-shoulder design of the original Jumbo but slightly deeper: 4 13/16. Some marks on the fretboard. In a vast majority of cases, the serial number on a Martin guitar can be found inside the body near the neck joint. Brand: VENTURA . If the fretboard was bound, they generally added a stripe of black under the side binding. Have a great day. I posted some pictures of those tuners. Some examples had the black (skunk) strip down the middle of the top similar to the Southerner Jumbos. 1995-2022 Harmony Central, Inc. All rights reserved. This system of serial numbers is unique to these three models until about the early summer of 1954 (when Fender switched to a universal neck plate serial number system for all models): Esquire, Broadcaster and Telecaster, Numbers On Bridge Plate. The instruments had modified fan bracing and asymmetrical bridges. Begining in 1972, the first B.C. Pearl dots on fretboard. Sadao made several brands of his own and would contract with Americans for private label guitars. Carl and August Larson built instruments between 1900 and 1944. The final production versions had a double-braced red spruce top and rosewood back and sides with a sunburst finish. The treble side wind backwards Finding a single 100 year old tuner plank to match something you have on one side of an old guitar is like finding the proverbial needle in the haystack. The tuners were individual. There were some 1 3/4 nuts available. They were well suited for orchestral arrangements as well as individual play and accompaniment. B-series Factory location: Grand Street, New York City from 1972 to 1973. This is the smallest model, chrome tuners. It was the heart of the depression and the instruments cost $60 without a case. 1968: Changed to a bottom belly bridge and 1960 style pickguard, 1969: Changed to a square shoulder dreadnaught, Original version: solid mahogany back but laminated mahogany sides, 1 piece mahogany neck & 17 degree headstock angle, Bound Brazilian fretboard with trapezoid inlayed markers, Individual Kluson tuners with white buttons later: keystone Pearloid buttons, P-90 single coil pickup with adjustable pole pieces. The action is low and has an adjustable truss rod. Serial number 5931 stamped on top of headstock. I also own a Bruno parlor guitar from the the early 1900's. When distribution came back to B.C. These consecutive numbers ran up to between 340 and 360. All Black label Taiwan models have the headstock logo with the 3 tuning forks inside a circle with "YAMAHA" underneath. The following numbers are the earliest known serial number for the year listed. Known Problems with Gretschs Serial Number System: Due to the various renumbering schemes, there are Gretsch-built Bacons and B&Ds with 3 digit, 4 digit and 5 digit serial numbers, which confuses identification of instruments made between 1910 and 1940. C. Bruno & Son Publication date 1890 ca. The promotional material in the Gibson catalog of 1934 said: This greater body size produces a heavy, booming tone so popular with many players who do vocal and small combination accompaniment for both personal and radio appearances. This field is for validation purposes and should be left unchanged. I fitted and eased the friction peg tuners and completed the setup. Several cost-cutting measures existed between the Advanced Jumbo and the J-35 including scalloped braces on the advanced Jumbo and not on the J-35. It came from an elderly gent by the name of Mike Madden who sold instruments in a local Flea Market. Like the CE and EG models the serial number is located on the neck plate on the back of the guitar. Scale: 25.5'/648mm. See the notes below. Bottom belly ebony bridge with pyramids on the wings, Silk-screened script @ 15 degrees +/-: The Gibson, 3 on a plate open gear tuners white or black buttons, Top and body becomes all mahogany amber finish, Extra bridge pin centered below 6 in a line, L-0 Flattened lower bout increased to 14, Reintroduced as the least expensive Gibson flat-top @ $25, Body depth 3 ? at the neck and 4 3/8 at the heel, Pearl dot makers and double dots on the 12th fret, Old script silk-screened diagonal logo: The Gibson or just Gibson, Some striped tortoise plastic pickguards after 1933, Some bright white plastic pickguards after 1933, L-00 introduced as Gibsons lowest price flat-top @ $37.50, Small round amber area of sunburst just below the soundhole, Striped tortoise plastic pickguards added, Dot position markers on the fretboard edge, A few with banner logos decals on the headstocks, Light amber top Sheraton brown back & sides, Old script silk-screened diagonal logo: The Gibson, Flattened lower bout increased to 14 (possibly, Soundhole, bridge and bracing moved to compensate, Similar to the L-00 but with heavier braces, Pearl dot fretboard markers double on 12, Gold sparkle inlayed around top & soundhole, Tailpiece adjustable bridge option discontinued, Speckled celluloid pickguard added as an option, Some had 2 top braces under the fingerboard extension vs. one, Rosewood fretboard rectangle inlays at 3, 5, 7, 9, 12 & 15, Pearl diamond inlays in the rosewood rectangles, Gibson pearl diagonal headstock inlay in rosewood, in Pearloid, Pearloid headstock veneer replace with rosewood, Bound headstock, pearl Gibson, pearl truss rod cover and notched diamond inlay, No headstock binding, black truss rod cover and elongated diamond inlay, Body depth 4 at the neck and 4 5/8 at the heel, Brazilian rosewood pyramid bottom belly bridge, The Gibson pearl angled logo inlayed on headstock, Nick Lucas Special white label with picture of Nick Lucas, 14 fret neck to body joints (phased in by this time), Trapeze tailpiece with adjustable bridge option. 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